“It was freezing in the mill last week as Ms. Zunino and Mr. Barnett-Winsby climbed the seven stories to one of the topmost grain-bin galleries.

In one, Manuel H. Márquez, an artist-in-residence from Mexico, had used the climate to his advantage, spraying water on moody black-and-white photographs so that they were frozen to the walls and embellished with glistening icicles. Ice chunks were displayed like sculptures on shelves hammered between the exposed studs.

It was a fine expression of adaptive reuse, this reporter thought. Ms. Zunino grinned.”

Reseña en The New York Times
Marzo de 2015
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